In its May 2008 issue, the most commercially successful art criticism publication, Artforum, dedicated its pages to the commemoration of the fortieth anniversary of May 1968. The publication presented contributions by many of the leading figures in contemporary critical theory, all of whom have a distinctive sense of indebtedness to that brief period four decades ago, dubbed by Herbert Marcuse as the “Great Refusal.”
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Persepolis is a film that does not take itself seriously enough. This is not a comment on the unadorned animation style. Nor am I referring to the narrative of the protagonist: a story of a girl raised in a left-wing milieu that succeeds in arousing quite a bit of empathy in the audience. It is the film’s treatment of depoliticization as a fait accompli and its persistent retreat to the safety of the personal that make it a fascinating symptom of politics today. Read politically, Persepolis is a trenchant, if unreflective, look into the fate of contemporary political life.
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A new chapter of Students for a Democratic Society (SDS) was formed in February at the University of Chicago (UChicago) in tandem with chapters forming throughout the city and across the country. The new SDS is a national student organization dedicated to progressive political change, whose name was borrowed from the famous New Left organization that helped to shape the social unrest of the 1960s.
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The well attended event was held inside of the new auditorium housed in the recently buit expansion of the Spertus Insitute on Michigan avenue. The talk addressed the political character of Iran after the Islamic Revolution of 1978–79.
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On the frigid winter evening of Thursday, January 24, Angela Davis, a former Communist Party activist associated in the 1960s–70s with the Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party, and current Professor in the History of Consciousness program at the University of California at Santa Cruz, gave the annual George E. Kent lecture (in honor of the first black American tenured professor) at the University of Chicago Rockefeller Chapel, to an overflow audience from the campus and surrounding community.
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