KARL KORSCH'S SEMINAL ESSAY “Marxism and Philosophy” (1923) was first published in English, translated by Fred Halliday, in 1970 by Monthly Review Press. In 2008, they reprinted the volume, which also contains some important shorter essays, as part of their new “Classics” series.
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THE STORY ITSELF IS WELL KNOWN: Originally trained as a physician, Ernesto "Che" Guevara was an Argentine revolutionary who played a significant part in the Cuban Revolution. Later, Che tried to help incite revolution in the modern day Democratic Republic of the Congo and in Bolivia, where he was eventually killed in 1967. In the more than four decades since his death, Che has been transformed from one among many icons of the revolutionary 1960s into the most recognizable political icon of the period.
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SUSAN BUCK-MORSS'S RECENT OFFERING, Hegel, Haiti, and Universal History, takes critical aim at two targets: what she identifies as Eurocentric models of universal history, on the one hand, and, on the other, the rejection of any notion of universality whatsoever in favor of the postmodernist "plurality of alternative models" (ix). What she proposes instead is "a universal history worthy of the name" (x), by which she means one that does not give the European Enlightenment and its direct heirs a monopoly on the historical project of freedom. It is refreshing to see the false choice of Eurocentrism vs. postmodernist pluralism identified as such, but if Buck-Morss opposes such a false choice, she fails to register and critique it as a contemporary historical symptom itself. She thus ends up with a theory that is universal in name, but which remains essentially postmodernist in content.
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A response to David Harvey and James Heartfield
Ian Morrison
THE LAST FORTY YEARS have been conceptually beÂwildering for the Left. The withering of working class movements and the rise of the new social movements have coincided with a global shift away from national state-centric (or "Fordist") modes of accumulation towards a more "global," neo-liberal capitalism.
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Sunit Singh
DER BAADER-MEINHOF KOMPLEX (2008) dramatizes the violence that the Leftist group the Rote Armee Fraktion ("Red Army Faction" [RAF] aka the Baader-Meinhof) wreaked across West German cities in the 1970s. The film documents, or, rather, reenacts their streak of violence that started with petty vandalism against storefronts in Frankfurt but that soon escalated into more serious acts.
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