WHEN AN INDIVIDUAL represents a politics, their biography can become a political treatise. Doug Greene’s recently published biography of Michael Harrington is a case in point: Greene announces the political thrust of the book in its very title: A Failure of Vision.
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Book review: Alex Hochuli, George Hoare, and Philip Cunliffe, The End of the End of History: Politics in the Twenty-First Century (Winchester, UK: Zero Books, 2021).
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Book review: David North and Thomas Mackaman, eds., The New York Times’ 1619 Project and the Racialist Falsification of History: Essays and Interviews (Oak Park, Michigan.: Mehring Books, 2021).
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CREATED IN 2009, Self-Capital explores the complex interactions that connect bio-power and imposing neoliberal capitalist structures with the ill, but recovering, social body. Throughout each of the three episodes viewers follow a personified Global Economy, portrayed by actress Penelope McGhie, as she struggles to work through a series of prescribed body-oriented techniques and exercises.
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Young Marx is a production at the end of history. It is a production led by a Marx whose ideas are parodied, whitewashed, and made to seem out of touch with contemporary reality.
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