Die Preisgabe emanzipatorischer Politik in unserer Zeit bedeutet nicht etwa, wie frühere revolutionäre Denker gefürchtet hatten, die Preisgabe der Revolution zu Gunsten des Reformismus. Vielmehr ist auch der Reformismus gestorben, weil niemand mehr die revolutionäre Überwindung des Kapitals für möglich erachtet.
[. . .]
Was bedeutet es zu sagen, dass die Linke tot ist? Und was bedeutet es über die Geschichte der Linken post mortem zu sprechen? Es ist unsere Aufgabe diese Fragen zu adressieren.
[. . .]
FOR YEARS Theodor Adorno’s theoretical work has suffered from either neglect or semi-hostile “interpretation.” It is therefore refreshing to see Detlev Claussen, who studied under Adorno at the Institute for Social Research in Frankfurt from 1966 to 1971, take a more sympathetic approach to the study of Adorno’s philosophy and intellectual life. In Theodor W. Adorno: One Last Genius, Claussen attempts to track the historical and biographical factors that influenced Adorno’s critical theory and, in doing so, strives to carefully reconstruct both the changing context and the abiding problematic that Adorno was attempting to grasp in and through his work.
[. . .]
THE AESTHETIC EXPERIENCE OF DRONE MUSIC is not just aesthetically defined, but socially and historically located. The significance of this location is especially intriguing when concealed in a music legacy that aims exclusively at the pure presentation of sound, a music intent upon expelling all that is foreign to the aesthetic experience while underscoring a formal, perceptual physicality. As such, it is difficult to review an instance of drone music in isolation from either the widespread classification of the genre that increasingly defines the music listening experience or drone music’s historically accumulated predilection for spatial sound masses over temporal themes.
[. . .]
IN MAY OF 2009 SCIENTISTS IN BERLIN claimed to have unearthed the corpse of the martyred revolutionary leader Rosa Luxemburg. Stored in the cellar of a hospital, the corpse had neither a head, nor feet, nor hands. The stump of a corpse of Rosa Luxemburg lay rotting in a basement, subjected to the un-tender mercies of modern forensic science.
[. . .]
