Let us assume, for a moment, the identity of Alice, the child protagonist of Lewis Carroll’s “Through the Looking Glass.” As we venture slowly through the mirror on the wall, we enter into a world that has been inverted. Yet when we glance back at the static and ordered room on the other side from whence we came, we notice cracks in the glass that serve as passage points between these two worlds. When we acknowledge these fractures in the mirror, our perceptions of what lies on either side suddenly shifts.
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I’m Not There is the most recent effort by American director Todd Haynes, who in his relatively short career has progressed from his notorious early effort, Superstar, through a celebrated period as an icon of the New Queer Cinema, and onto mainstream Hollywood success with the Oscar-nominated Far From Heaven and now I’m Not There. Having previously tackled David Bowie in Velvet Goldmine, with I’m Not There Haynes turns his lens on one of the most iconic American musicians of the 20th century, Bob Dylan.
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The well attended event was held inside of the new auditorium housed in the recently buit expansion of the Spertus Insitute on Michigan avenue. The talk addressed the political character of Iran after the Islamic Revolution of 1978–79.
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On the frigid winter evening of Thursday, January 24, Angela Davis, a former Communist Party activist associated in the 1960s–70s with the Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party, and current Professor in the History of Consciousness program at the University of California at Santa Cruz, gave the annual George E. Kent lecture (in honor of the first black American tenured professor) at the University of Chicago Rockefeller Chapel, to an overflow audience from the campus and surrounding community.
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Moishe Postone is Professor of History at the University of Chicago, and his seminal book Time, Labor, and Social Domination: A Reinterpretation of Marx’s Critical Theory investigates Marx’s categories of commodity, labor, and capital, and the saliency of Marx’s critique of capital in the neoliberal context of the present. Rescuing Marx’s categories from intellectual and political obsolescence, Postone brings them to bear on the global transformations of the past three decades. In the following interview, Postone stresses the importance of an analysis of the history of capital for a progressive anti-capitalist Left today.
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