The Occupy Wall Street movement (OWS) has altered conceptions of the international socio-political environment on the left, and has accordingly sent shock-waves throughout the realm of art and culture. In solidarity with OWS, artists took their work to the streets, creating on-site carnivalesque performances as forms of protest. Artists globally designed posters and logos to collectively construct the aesthetic appeal of the movement, and more significantly, diverse groups of artists organized to "Occupy Museums," such as the MoMA, the Frick Collection, and New Museum, critiquing them as as "temples of cultural elitism." Occupy Museums claims that the mainstream art world circuit is complicit in neoliberal capitalism and caters to the interests of the "1%." Overall, OWS has renewed a sense of political urgency within the art world that has up to now been relegated to the margins. This panel critically investigates the role of art and culture in the Occupy movement, and how OWS has affected the infrastructure of the mainstream art world. What role does art play in the political struggles that OWS seeks to accomplish? In what ways is OWS a resource for creating change in the way art is produced, received, and distributed? These questions, among others, will act as the touchstone for artists and cultural theorists to asses how art and politics affect each other as the OWS continues to take form.
Noah Fischer is a Brooklyn-based artist originally from north of San Francisco. He has exhibited kinetic art installations, photographs, and sculpture in New York, Europe, and India. He has also worked collaboratively with the Berlin-based performance group andcompany&Co. Noah initiated Occupy Subways and Occupy Museums in the first weeks of OWS. Noah is the curator of the No-Eyes Viewing Wall at Brooklyn Zen Center.
Maria Byck is a video artist and activist. She was part of the Congress of the Collectives at Flux Factory. With the Occupy Wall Street movement, she has worked on programming RevTalks and the Empowerment and Education Open Forum series, and collaborates with the live streaming media team. She is a member of Occupy Cinema and Occupy Museums. Maria has been a member of the Paper Tiger Television video collective since 2005. She has a Masters in Media Studies from the New School.
Ross Wolfe is a graduate student at the University of Chicago focusing on early Soviet history, Marxism, critical theory, avant-garde art and architecture, contemporary political issues (activism, anticapitalism, environmentalism), and radical utopianism.
OWS has put the focus on finance capital as a driver of inequality, and on the need for political action to address it. But what is the function of finance capital in the modern world, and how should our politics address it? This panel will bring together various Marxist and anarchist perspectives on finance capital.
Radhika Desai is Professor at the Department of Political Studies, University of Manitoba, Winnipeg, Canada. She is the author of Slouching Towards Ayodhya: From Congress to Hindutva in Indian Politics (2nd rev ed, 2004) and Intellectuals and Socialism: 'Social Democrats' and the Labour Party (1994), She edited Developmental and Cultural Nationalisms in 2009. She is co-editing Volume 27 of Research in Political Economy with Paul Zarembka.
Alan Freeman is co-editor of the ‘Future of World Capitalism’ book series and is a former economist at the Greater London Authority. He wrote ‘The Benn Heresy’ and co-edited two books on value theory and, with Boris Kagarlitsky, ‘The Political Economy of Empire and the Crisis of Globalisation.’ With Andrew Kliman he co-edits the new critical pluralist journal Critique of Political Economy.’
Andrew Kliman, a professor of economics at Pace University, is the author of The Failure of Capitalist Production: Underlying Causes of the Great Recession and Reclaiming Marx’s “Capital”: A Refutation of the Myth of Inconsistency. He and Alan Freeman edit Critique of Political Economy, a new scholarly online journal. Many of his writings are available at akliman.squarespace.com and With Sober Senses, marxist-humanist-initiative.org/our-publication, Marxist-Humanist Initiative’s publication.
Costas Panayotakis is Associate Professor of Sociology at CUNY's New York City College of Technology and author of Remaking scarcity: from capitalist inefficiency to economic democracy.
A panel discussion organized by the Platypus Affiliated Society, held on March 20, 2011 at Left Forum, Pace University.
Marx and Engels were not the preeminent socialists but rather socialism's greatest critics, distinguishing their "communism" from "reactionary," "bourgeois" and "democratic" socialism. Lately, Marx is taken for his theoretical analysis of capitalism more than his and Engels's revolutionary politics, discredited after the 20th century's spectacular failures of "Marxism." So what is Marx and Engels's political legacy? What Marx wrote after the failed "social-democratic" revolutions of 1848 still resonates: "Every demand of the simplest bourgeois financial reform, of the most ordinary liberalism, of the most formal republicanism, of the most insipid democracy, is simultaneously castigated as an 'attempt on society' and stigmatized as 'socialism'." How does Marx and Engels's politics of "communism," that is, socialism aware of its historical vocation, task us today?
A panel discussion organized by the Platypus Affiliated Society, held on March 19, 2011, at Left Forum, Pace University.
Panel Abstract: It may seem untimely to reconsider Georg Lukacs, after the demise of the "Bolshevik experiment" with which he was associated. Who was Lukacs? Critic of reification, founder of Hegelian Marxism, Critical Theory, Western Marxism? Or: philosopher of Bolshevism, apologist for Leninism, romantic socialist, voluntarist idealist, terrorist revolutionary? Lukacs is usually read as an interpreter rather than a dedicated follower of Marxism, leaving Lukacs's particular contribution obscure. Lukacs was most original--and influential--when he accepted the presuppositions of Marxism, the political practice and theory of revolution, in earnest, from 1919-25, in History and Class Consciousness and associated works--however Lukacs himself may have disavowed them subsequently. What can we make of Lukacs's legacy today, his investigation and elaboration of the problematic of Marxism, and what are the essential issues potentially raised for our time?
Chris Cutrone - School of the Art Institute of Chicago
Jeremy Cohan - New York University
Marco Torres - University of Chicago
Neil Larsen - University of California at Davis
Timothy Bewes - Brown University
Timothy Hall - University of East London, U.K.