Panel organized by the Platypus Affiliated Society given at the 2011 annual conference of the Cultural Studies Association in Chicago, IL on Thursday, March 24th, 2011, at Columbia College, Chicago.
Panelists:
Benjamin Shepard - Independent Scholar (Los Angeles), Platypus Affiliated Society
Jacob Cayia - University of Illinois - Chicago
Omair Hussain - School of the Art Institute of Chicago
Lucy Parker - School of the Art Institute of Chicago
Greg Gabrellas (chair) - University of Chicago, Platypus Affiliated Society
A public interview with Robert Pippin, hosted by the Platypus Affiliated Society, exploring the implications of Hegel's thought, particularly regarding art, in the present day. Held on March 14th, 2011, at the School of the Art Institute of Chicago.
Robert Pippin is a professor in the John U. Nef Committee on Social Thought, the Department of Philosophy, and the College at the University of Chicago. He is the author of several books on German idealism and related topics, including Hegel's Idealism: The Satisfactions of Self-Consciousness, and Modernism as a Philosophical Problem.
Transcript in Platypus Review #36 (Click below):
Postmodernism challenged the institutionalized modernism of the mid-20th century, offering more radical forms of social discontents and cultural practice. It meant unmasking the values of progress as involving ideologies of the political status-quo, the problems of which were manifest to a new generation in the 1960s. But, more recently, postmodernism itself has begun to age, and reveal its own concerns as those of the post-1960s situation of global capitalism rather than an emancipated End of History.
In 1980, Jurgen Habermas, on the occasion of receiving the Adorno prize in Frankfurt, predicted the exhaustion of postmodernism, characterizing its conservative tendencies. Habermas called this situation the “incomplete project” of modernity, a set of unresolved problems that have meant the eventual return of history, if not the return of “modernism.” How does Habermas’s note of dissent, from the moment of highest vitality of postmodernism, help us situate the concerns of contemporary art in light of society and politics today?
Join Platypus for a teach-in and conversation on Habermas's 1980 essay "Modernity-An Incomplete Project".
Tuesday, October 26, 2010 @ 4:30PM
School of the Art Institute of Chicago
112 S. Michigan, Room 920
Recommended Reading:
Jurgen Habermas "Modernity – An Incomplete Project" (1980)
RSVP on Facebook
A panel discussion reflecting upon three generation of membership in Platypus. Held on May 30th, 2010 at the 2010 Platypus International Convention at the School of the Art Institute of Chicago.
Panelists:
Richard Rubin
Pam C. Nogales C.
Ashley Weger
A workshop held on May 29th, 2010 at the 2010 Platypus International Convention at the School of the Art Institute of Chicago. Led by Pablo Ben.
An analysis of how sexuality as a sphere of modern life was formed due to the emergence of capitalism. Sexuality did not exist before the 18th century and it has emerged since then in several parts of the world following the expansion of global capitalism. The analyze follows through a new reading of Foucault from the point of view of Marcuseâs Eros and Civilization. This theoretical framework helps understand some new developments in the historiography of sexuality worldwide,specifically the world history of masturbation, prostitution, homosexuality, and romantic love.
