The election of Barack Obama will be an event. But it has proven confusing for most on the “Left,” who claim to want to overcome anti-black racism and achieve social justice. Rejection of Obama on this basis has been as significant as the embrace of his candidacy. There is as much anxiety as hope stirred by Obama, especially regarding the significance of his blackness.
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Walter Benjamin occupies a unique place in the history of modern revolutionary thought: he is the first Marxist to break radically with the ideology of progress. His thinking has therefore a distinct critical quality, which sets him apart from the dominant and “official” forms of historical materialism, and gives him a formidable methodological superiority.
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From their canonization in the 1960s through their appropriation by postmodernism in the 1980s, the writings of the Frankfurt School have had their Marxian dimension minimized, vulgarized and ultimately ignored.
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The Platypus Affiliated Society in Chicago, in coordination with several chapters of the new Students for a Democratic Society (SDS) in Chicago (at the University of Chicago, the School of the Art Institute of Chicago, and Columbia College, Chicago) organized a public forum on “40 years of 1968: the problematic drama of the past in the present,” scheduled for the evening of Thursday, May 8 downtown at the School of the Art Institute. Invited panelists included Bill Ayers and Mike Klonsky, of the historic SDS and its Revolutionary Youth Movement, and currently active in the Movement for a Democratic Society (MDS). But these two panelists withdrew and the forum was canceled, as we will explain.
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Persepolis is a film that does not take itself seriously enough. This is not a comment on the unadorned animation style. Nor am I referring to the narrative of the protagonist: a story of a girl raised in a left-wing milieu that succeeds in arousing quite a bit of empathy in the audience. It is the film’s treatment of depoliticization as a fait accompli and its persistent retreat to the safety of the personal that make it a fascinating symptom of politics today. Read politically, Persepolis is a trenchant, if unreflective, look into the fate of contemporary political life.
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