On two occasions, Sigmund Freud observed that politics, pedagogy, and psychoanalysis are all impossible professions. Cornelius Castoriadis attempted to make sense of this cryptic observation in a 1994 essay entitled “Psychoanalysis and Politics,” in which he argued that, not only are these three “professions” structurally analogous, they are also entangled with each other such that the “impossible” realization of pedagogical or psychoanalytic aims is ultimately conditional upon an emancipatory political transformation.
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Confronting the confusion and fragmentation that wrought progressive politics in recent decades, Ernesto Laclau’s work attempts to theorize the path to the construction of a radical democratic politics. Drawing on Gramsci’s concept of hegemony to devise his own theory by that name, Laclau describes the processes of social articulation that creates popular political identities.
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ACCORDING TO LENIN, the greatest contribution of the German Marxist radical Rosa Luxemburg (1871-1919) to the fight for socialism was the statement that her Social Democratic Party of Germany had become a “stinking corpse” as a result of voting for war credits on August 4, 1914. Lenin wrote this about Luxemburg in 1922, at the close of the period of war, revolution, counterrevolution and reaction in which Luxemburg was murdered.
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The perception of gentrification in Chicago mirrors would-be progressive groups’ social imaginations and the heterogeneity of their goals. Gentrification is the reconstitution of a neighborhood which occurs when lower-income areas with lower land value are re-developed with higher-value housing into a decidedly wealthier neighborhood. During this process the class-composition and character of the neighborhood is changed; those already living in the neighborhood cannot sustain the rise in property taxes and must move elsewhere.
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My first impression upon entering Haseeb Ahmed’s installation, “The Common Sense,” which opened at Around the Coyote Gallery on September 5th was one of open space. It was an openness that contrasted sharply with the hundreds of paintings, photographs, sculptures that cluttered the rest of the many other galleries that opened that Night in Wicker Park’s FlatIron Building.
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