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Posted below are two videos from the day-long symposium, What is Critique?, held on November 20th, 2010, at Parsons, the New School for Design, New York. The first video is from the afternoon panel,Ă‚ The Art Critique: Its History, Theories, and Practices. This panel consisted of Tom Butter, Simone Douglas, and James Elkins; it was moderated by Laurie Rojas. The second video is documentation of the evening panel, The Relevance of Critical Theory to Art Today. The panel consisted of J.M. Bernstein, Chris Cutrone, Lydia Goehr, and Gregg Horowitz; it was moderated by Chris Mansour. Both videos can also be found at http://streamingculture.parsons.edu/the-art-critique-its-history-theories-and-practices/.

The Art Critique: Its History, Theories, and Practices

The Relevance of Critical Theory to Art Today

What is Critique? was a day-long symposium that consisted of two panel discussions with artists, critics, teachers, and students and investigated the role that art critiques and criticism play in art production. The first half of the day focused on the nature and function of art critiques as a form of criticism and pedagogy. The latter part of the day was a panel discussion addressing the relationship between critical theory, art production and reception. More information can be found at http://newyork.platypus1917.org/critique/.

AT THE LEFT FORUM 2010, held at Pace University in New York City in March, Cindy Milstein, director of the Institute for Anarchist Studies, spoke at a panel discussion on anarchism and Marxism, chaired by Andrej Grubacic, with fellow panelists Roxanne Dunbar-Ortiz and Andrew Curley. The topic of Milstein’s talk was the prospect for the “synthesis of anarchism and Marxism” today. The relation between anarchism and Marxism is a long-standing and vexing problem, for their developments have been inextricably intertwined.
STUDY THE STALLS OF A SEMINARY BATHROOM and chances are you will find the following scrawled out in ballpoint: “Nietzsche: God is Dead. God: Nietzsche is dead.” The quip relies on a misreading—God, for Nietzsche, did not die like your grandmother or pet turtle might die. God died like a language might die. In a secular world, belief becomes unbelievable. But the bathroom graffiti retains a bit of truth. Nietzsche, writing in 1882, recognized the collapse of religion. Today, the situation has changed: God is undead.

Platypus Marxist reading group

June 5 – August 14, 2010

Saturdays 1–4PM at:

School of the Art Institute of Chicago
112 S. Michigan Ave. room 707

Marx and Marxism

Marx and Engels at work together
Marx and Engels at work together

Readings pp. from Robert C. Tucker, ed., Marx-Engels Reader (Norton 2nd ed., 1978) (* at marxists.org)

June 5

Karl Marx on the history of his opinions (from Preface to A Contribution to the Critique of Political Economy), pp. 3–6

Marx, To make the world philosophical, pp. 9–11

Marx, For the ruthless criticism of everything existing, pp. 12–15

Marx, Theses on Feuerbach, pp. 143–145

June 12

Marx, On The Jewish Question, pp. 26–52

June 19

Marx, The coming upheaval [see bottom of section, beginning with "Economic conditions had first transformed the mass"] (from The Poverty of Philosophy, 1847), pp. 218–219

Marx and Engels, Communist Manifesto, pp. 469–500

Marx, Address to the Central Committee of the Communist League, pp. 501–511

June 26

The tactics of social democracy (Engels's introduction to Marx, The Class Struggles in France), pp. 556–573

Marx, from The Class Struggles in France 1848–50, pp. 586–593

July 3

[break for Independence Day weekend]

July 10

Marx, The 18th Brumaire of Louis Bonaparte, pp. 594–617

July 17

Marx, On imperialism in India, 653–664 (available online as The British Rule in India and The Future Results of British Rule in India)

Marx and Engels, Europocentric world revolution, pp. 676–677 (available online as Marx to Engels October 8, 1858 and Engels to Kautsky September 12, 1882)

July 24

Marx, The Civil War in France, pp. 618–652

July 31

Marx, Inaugural address to the First International, pp. 512–519

Karl Korsch, The Marxism of the First International *

August 7

Korsch, Introduction to Marx, Critique of the Gotha Programme *

Marx, Critique of the Gotha Programme, pp. 525–541

August 14

Max Horkheimer, "The Authoritarian State" (1940) (in The Essential Frankfurt School Reader, eds. Andrew Arato and Eike Gebhardt, pp. 95–117)

* * *

August 28

Vladimir Lenin, "Karl Marx" (1914)

GILLIAN ROSE’S MAGNUM OPUS was her second book, Hegel Contra Sociology (1981). Preceding this was The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno (1978), a work which charted Rose’s approach to the relation of Marxism to Hegel in Hegel Contra Sociology. Alongside her monograph on Adorno, Rose published two incisively critical reviews of the reception of Adorno’s work. Rose thus established herself early on as an important interrogator of Adorno’s thought and Frankfurt School Critical Theory more generally, and of their problematic reception.