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THERE IS A BAD THEORETICAL HABIT common among leftists: the confirmation of revolutionary aspirations through an unmediated verification by the “facts” or “data.” The ghost of an “objective” reality obscures the effort to grasp the “concrete” as the combination of many abstractions and, instead, “a chaotic representation [Vorstellung] of the whole” (Marx) is preferred, offering a temporary foundation for self-affirmation and miraculously turning a “bad” reality into a “good” one. A more critical way to regard “facts,” related to the pursuit and furtherance of freedom in society, is forgotten if not defamed today. As Max Horkheimer once put it: “But in regard to the essential kind of change at which the critical theory aims, there can be no corresponding concrete perception of it until it actually comes about. If the proof of the pudding is in the eating, the eating here is still in the future. Comparison with similar historical events can be drawn only in a limited degree.”
FOR YEARS Theodor Adorno’s theoretical work has suffered from either neglect or semi-hostile “interpretation.” It is therefore refreshing to see Detlev Claussen, who studied under Adorno at the Institute for Social Research in Frankfurt from 1966 to 1971, take a more sympathetic approach to the study of Adorno’s philosophy and intellectual life. In Theodor W. Adorno: One Last Genius, Claussen attempts to track the historical and biographical factors that influenced Adorno’s critical theory and, in doing so, strives to carefully reconstruct both the changing context and the abiding problematic that Adorno was attempting to grasp in and through his work.
RANDI STORCH’S RED CHICAGO takes to task prevailing caricatures of American Communism during the so-called “Third Period” of the late twenties and early thirties, a period in the history of American Communism frequently criticized for its growing ideological rigidity, its organizational Stalinization, and its ultimate failure to revitalize the flagging world revolution and to check the threat of fascism. Against such views, Storch argues historians have been unfair to the early Chicago Communists, falsely constructing them either as mannequins manipulated by Soviet puppeteers, or else as heroic defenders of the city’s working class, a collection of hyper-romantic organic radicals whose every breath stood in defiance of both employers and the party itself.
IF THE COLOR LINE WAS THE PROBLEM of the American 20th century, then the 20th century did not manage to solve it. De jure segregation ended some forty years ago, and American social norms mostly bar the public expression of racist sentiment or stereotype. Yet by any measure—access to quality healthcare and education, rate of incarceration, etc.—black Americans remain proportionally worse off than their white peers.
KARL KORSCH'S SEMINAL ESSAY “Marxism and Philosophy” (1923) was first published in English, translated by Fred Halliday, in 1970 by Monthly Review Press. In 2008, they reprinted the volume, which also contains some important shorter essays, as part of their new “Classics” series.