Hal Foster is a prominent critic and art historian who contributes regularly to Artforum, New Left Review, and The Nation. He is also an editor of October. In the fall of 2009, he sent out a questionnaire to 70 critics and curators, asking them what “contemporary” means today. Foster notes that the term “contemporary” is not new, but that “What is new is the sense that, in its very heterogeneity, much present practice seems to float free of historical determination, conceptual definition, and critical judgment.” 35 critics and historians attempted to answer to the problems implied in this observation.
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In its May 2008 issue, the most commercially successful art criticism publication, Artforum, dedicated its pages to the commemoration of the fortieth anniversary of May 1968. The publication presented contributions by many of the leading figures in contemporary critical theory, all of whom have a distinctive sense of indebtedness to that brief period four decades ago, dubbed by Herbert Marcuse as the “Great Refusal.”
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