In one of the notebooks he kept between 1914 and 1916, Ludwig Wittgenstein wrote that “the work of art is the object seen from the point of view of eternity; and the good life is the world seen from the point of view of eternity. This is the connection between art and ethics.”
Last spring, in response to Paul Mason's article “Does Occupy Signal the Death of Contemporary Art?,” the Platypus Affiliated Society hosted an event on the “death of art.” Speakers included Julieta Aranda who was represented by Anton Vidokle, Gregg Horowitz, Paul Mattick, and Yates McKee. The discussion was moderated by Chris Mansour and was held at the New School in New York on February 23, 2013. What follows is an edited transcript of the conversation.
On Saturday, November 20, 2010, Platypus hosted a panel entitled “The Relevance of Critical Theory to Art Today” moderated by Chris Mansour at The New School for Social Research in New York. The panel consisted of Philosophy Professors J.M. Bernstein (The New School), Lydia Goehr (Columbia University), and Gregg Horowitz (Pratt Institute and Vanderbilt University), and Chris Cutrone (Adjunct Assistant Professor of Art History, Theory and Criticism, School of the Art Institute of Chicago), member of Platypus. What follows is an edited transcript of the event. Full video and audio is available online by clicking the above links.