My first impression upon entering Haseeb Ahmed’s installation, “The Common Sense,” which opened at Around the Coyote Gallery on September 5th was one of open space. It was an openness that contrasted sharply with the hundreds of paintings, photographs, sculptures that cluttered the rest of the many other galleries that opened that Night in Wicker Park’s FlatIron Building.
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In 1871 the Paris Commune, a revolutionary body formed during the deep unrest following France’s defeat in the Franco-Prussian war, rose against the post-war provisional government of Adolphe Thiers and briefly held power in France. Two months after it took power, the Commune was brutally suppressed by the French army. In his film "La Commune," released in 2002, director Peter Watkins orchestrated and documented a theatrical re-enactment of the Commune.
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During his visit to New York this week to address the UN General Assembly, Iranian President Mahmoud Ahmadinejad is scheduled to go to Columbia University to address faculty members and also to meet with a group of American religious leaders.
His arrival was preceded by weeks of commotion and dispute: should Ahmadinejad have been allowed to visit ground zero? Should Columbia have agreed to host him? Should he even have been granted a visa to enter at all? In a spasm of infantilism, Republican presidential hopefuls and the right-wing punditocracy have seized the occasion to demonstrate their toughness, decrying the Iranian leader's mere presence on US soil.
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Stumbling into the wars resisters office, I found Josh Russell and Madeline Gardner wearing headsets and pacing. It was a week before the convention and they were having yet another discussion as to whether or not the planning committee had the authority to decide whether or not they had the right to make any decisions. In the words of Lisa Fithian, we were processing ourselves to death.
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Hungarian literary critic and political theorist Georg Lukács is generally recognized, along with thinkers such as Antonio Gramsci and Rosa Luxemburg, as one of the most influential intellectual figures of twentieth century Marxism. And while Lukács’ reading of Marx is possibly the most sophisticated and intellectually rigorous to be found in the century and a half long trajectory of historical materialism, his legacy suffers from the “misfortune” that, unlike Gramsci and Luxemburg, he survived what is known as the heroic period of Third International Marxism: the late teens and early twenties.
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