On July 29, 2010, Vaughn Cartwright and Emmanuel Tellez interviewed Noam Chomsky, prolific author and activist, on behalf of the Platypus Review, to discuss the history of the Left and the state of radical politics today. What follows is an edited transcript of the interview.
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Given the considerable international interest in the progress of Naxalism on the Indian subcontinent, particularly in the wake of the 2008 Maoist revolution in Nepal, we are pleased to publish the following interview with Marxist and historian Jairus Banaji conducted on June 28, 2010.
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On Thursday March 11, 2010, Platypus Review Editor-in-Chief Spencer A. Leonard interviewed the prominent 1960s radical and last National Secretary of Students for a Democratic Society (SDS), Mark Rudd, to discuss his recently published political memoir, Underground. In April, Leonard’s interview with Rudd, prepared in conjunction with Atiya Khan, was broadcast in two parts on “Radical Minds” on WHPK-FM 88.5 Chicago. Podcasts are available at the above link . Below is an edited transcript of the interview
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In light of the recent economic crisis, Marxist theory has enjoyed a resurgence of interest. This most recent is the last of many returns to Marx’s work throughout the 20th century. Still, the question poses itself: Why return to Marx, yet again? What does this move tell us about our contemporary situation? Most important, what do previous returns to Marx tell us about capitalism and those who have self-consciously struggled against it? Why Marxism—and what must Marxism become?
On February 19, 2010, Ian Morrison of Platypus spoke with Leo Panitch, author and professor of Political Science at York University, about these and other topics. Below is an edited transcript of their public interview and of the audience Q & A that followed.
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Hal Foster is a prominent critic and art historian who contributes regularly to Artforum, New Left Review, and The Nation. He is also an editor of October. In the fall of 2009, he sent out a questionnaire to 70 critics and curators, asking them what “contemporary” means today. Foster notes that the term “contemporary” is not new, but that “What is new is the sense that, in its very heterogeneity, much present practice seems to float free of historical determination, conceptual definition, and critical judgment.” 35 critics and historians attempted to answer to the problems implied in this observation.
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