HOW ARE WE TO REGARD the history of revolutions? Why do revolutions appear to fail to achieve their goals? What does this say about consciousness of social change?
One common misunderstanding of Marx (against which, however, many counter-arguments have been made) is with respect to the supposed "logic of history" in capital.
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THE PRESENT OCCUPATION MOVEMENT expresses a return to the Left of the late 1990s, specifically the 1999 anti-World Trade Organization protests in Seattle.
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CHRIS CUTRONE’S RECENT ARTICLE “Lenin’s Liberalism” (Platypus Review #36) claims that Lenin’s politics are distorted when characterized as a pure opposition to bourgeois conditions. In fact, he suggests that Lenin insisted on “the mediation of politics in society” even after the creation of a “workers’ state,” demonstrating a liberal desire to preserve certain features of bourgeois society. His use of Lenin’s theory regarding the continuation of “bourgeois right” betrays an inattention to the context of Lenin’s remarks, and the notion that Lenin applied a liberal perspective to the question of working class political power does not ring true.
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THE PRINCIPAL MISTAKE MADE by those who contemplate Lenin's political thought and action is due to assumptions that are made about the relation of socialism to democracy. Lenin was not an “undemocratic socialist” or one who prioritized socialism as an “end” over the “means” of democracy. Lenin did not think that once a majority of workers was won to socialist revolution democracy was finished. Lenin was not an authoritarian socialist.
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At the 2011 Left Forum, held at Pace University between March 18–21, Platypus hosted a conversation on the theme of Aesthetics in Protests. Panelists Stephen Duncombe (Reclaim the Streets), Marc Herbst (Journal of Aesthetics and Protest), Chris Mansour (Platypus), Laurel Whitney (The Yes Men), were asked to consider: “What are the historical roots that contribute to the use of current aesthetic interventions in political protests? In what ways do they expand or limit the possibilities for protests to transform the social order? How does experimenting with aesthetic and artistic sensibilities influence our political consciousness and practice?” The same theme was the subject of another event held at the New School in NYC on May 23, which featured Marc Herbst (Journal of Aesthetics and Protest), Chris Mansour (Platypus), A.K. Burns (W.A.G.E.), and Beka Economopoulos (Not An Alternative). The article that follows is a modified version of the opening remarks made by Chris Mansour of Platypus at both events.
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