Panel held on March 31st, 2012 at the Fourth Annual Platypus International Convention, School of the Art Institute of Chicago.
Hegel famously remarked that the task of philosophy was to "comprehend its own time in thought." In a sense, we can extend this as the raison d'etre for artistic production, albeit in a modified way: art's task is to "comprehend its own time in form." Yet only with the revolutionary rise of modernity can this dictum make sense. Beginning in the 18th Century, art sought to register and materialize the way in which social consciousness changed along side the developing material conditions of social life. Thus, in times of great social transformation, we also bear witness to major shifts in artistic production: The French Revolution and David, The Revolutions of 1848 and Courbet, and the Russian Revolution and Suprematism and Constructivism are three major examples.
This panel focuses on the relationship between social and aesthetic transformation. How do shifts in formal processes and approaches towards materiality speak to larger changes in the structures of social life? Is the focus on changes within art's form too confining of vision, and must art also concern itself with intervening into the political and social arena? Is art always reacting to, or tailing after social transformations, or can shifts in Culture prefigure such developments? -- In other words, can there be a cultural lag and a cultural leep? The panelists have been asked to address these questions among others in order to flesh out the uneven and at times obscure relationship that art has with a society that is constantly in flux.