“THE REVOLUTION MAROONED,” published in the Platypus Review #114, contains valuable observations on the heroism and tragedy of the Cuban revolution. It also demonstrates how Trotskyist methodology has lost the ability to explain the present convincingly. An examination of how Trotskyists responded to the Cuban revolution reveals degenerative weaknesses in their interpretation, most notably an equivocal conception of Stalinism.
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CREATED IN 2009, Self-Capital explores the complex interactions that connect bio-power and imposing neoliberal capitalist structures with the ill, but recovering, social body. Throughout each of the three episodes viewers follow a personified Global Economy, portrayed by actress Penelope McGhie, as she struggles to work through a series of prescribed body-oriented techniques and exercises.
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MARK FISHER WAS OFTEN ASKED what "capitalist realism" is. His most interesting answer was that it is “a pathology of the Left.” Fisher thought the Left, in its pathology, had capitulated to neoliberalism, and thus to capitalism. This raises the question of whether the end of neoliberalism will mean the end of capitalist realism, and even the end of capitalism.
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WHAT DOES IT MEAN TO SAY that Platypus is the psychoanalyst of the Left? Thinking through this analogy can provide some clarity about the Platypus project and its relationship to the existing Left.
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In the spirit of the 50-year anniversary of 1968, Chris Mansour of the Platypus Affiliated Society interviewed William Andrews about the legacy of the New Left in Japan. William Andrews is a writer, translator, editor, and independent researcher based in Tokyo. He is originally from London and currently a graduate student at Sophia University.
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