Let us assume, for a moment, the identity of Alice, the child protagonist of Lewis Carroll’s “Through the Looking Glass.” As we venture slowly through the mirror on the wall, we enter into a world that has been inverted. Yet when we glance back at the static and ordered room on the other side from whence we came, we notice cracks in the glass that serve as passage points between these two worlds. When we acknowledge these fractures in the mirror, our perceptions of what lies on either side suddenly shifts.
I just turned thirty. Fifteen years on the Left—that’s half my lifetime now and what it means to me has changed consistently over the years: from punk rock kid with a mohawk and tattoos on my ribs and shoulders to a union leader with a mortgage and kid and the responsibility of thousands of workers on my shoulders. I often find myself thinking back to when my politics were just forming and how simple those days and those politics were. Things were clear: America was bad, veganism was good, pacifism was good, hierarchy was bad, jobs were for suckers and school was for sellouts, squats were a pure form of existence and love was meant to be free.
I’m Not There is the most recent effort by American director Todd Haynes, who in his relatively short career has progressed from his notorious early effort, Superstar, through a celebrated period as an icon of the New Queer Cinema, and onto mainstream Hollywood success with the Oscar-nominated Far From Heaven and now I’m Not There. Having previously tackled David Bowie in Velvet Goldmine, with I’m Not There Haynes turns his lens on one of the most iconic American musicians of the 20th century, Bob Dylan.
The well attended event was held inside of the new auditorium housed in the recently buit expansion of the Spertus Insitute on Michigan avenue. The talk addressed the political character of Iran after the Islamic Revolution of 1978–79.
On the frigid winter evening of Thursday, January 24, Angela Davis, a former Communist Party activist associated in the 1960s–70s with the Student Nonviolent Coordinating Committee (SNCC) and the Black Panther Party, and current Professor in the History of Consciousness program at the University of California at Santa Cruz, gave the annual George E. Kent lecture (in honor of the first black American tenured professor) at the University of Chicago Rockefeller Chapel, to an overflow audience from the campus and surrounding community.
Moishe Postone is Professor of History at the University of Chicago, and his seminal book Time, Labor, and Social Domination: A Reinterpretation of Marx’s Critical Theory investigates Marx’s categories of commodity, labor, and capital, and the saliency of Marx’s critique of capital in the neoliberal context of the present. Rescuing Marx’s categories from intellectual and political obsolescence, Postone brings them to bear on the global transformations of the past three decades. In the following interview, Postone stresses the importance of an analysis of the history of capital for a progressive anti-capitalist Left today.
Why do we need a “history of the Left?”— Platypus differs from other tendencies and organizations on the Left to the extent that we find it necessary and desirable to reexamine the history of the Left to help understand problems on the Left in the present. For focusing on the history of the Left and its problems, Platypus has been accused by a variety of Marxists of obscuring the “fundamental social divide” of the “class struggle” of the “proletariat” vs. the “bourgeoisie,” in favor of emphasizing the ideological and political difference between the Right and the Left.
Since the 1960s the saturation of brutality and violence in Iraq has caused considerable confusion among Leftists in regards to both its political meaning and causes. One cannot fully understand the character of Saddam Hussein’s Arab Ba’ath Socialist Party without taking into account that it achieved political power by systematically killing off the Iraqi Communist Party (ICP) and quelling other political dissent with acts of extreme cruelty. The eight year battle of attrition instigated by Hussein, known as the Iran-Iraq War, caused over half a million Iraqi deaths, and the ethnic cleansing campaigns directed against the Kurds resulted in countless more. It is estimated that during the 1988 Anfal Campaign alone over 100,000 Kurds were massacred. In addition to the many catastrophic events that mark the history of Ba’athist society, it is perfectly clear that Hussein’s one-party-state was maintained through the use of relentless day-to-day violence directed against its citizens.
One of the highlight exhibitions of the summer of 2007 in Chicago was The Art Institute’s retrospective exhibition on the work of Jeff Wall. This occasion marked the first time that the Art Institute exhibited a solo show of a photographer. Jeff Wall’s large-scale color transparencies, mounted in light boxes, covered the same walls that have previously displayed Rembrandts, Girodets, and Manets. The exhibition provided the opportunity to reconsider the present condition of photography as art.
In the spring of 2006, after years of activity on the Left, I joined the IWW. I joined because it cared little for Leftism. And because it began every meeting with a song.