THE NEW TRANSLATION AND REPUBLICATION of Theodor Adorno’s Philosophy of New Music is a further clarification of modernism, necessitated by the latest discontents with postmodernism’s vulgarization, which keeps it at a fictitious distance. Perhaps as his remedy for the most fragmented part of the whole of the arts, namely music, translator Robert Hullot-Kentor has in recent years been steadily reintroducing Adorno’s aesthetic philosophy to English readers.
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“DIESER HÖRSAAL IST BESETZT!” (“This lecture hall is occupied!”) In November and December 2009, signs bearing such slogans were found on doors at over 60 German universities. For the second time that year, a broad student movement managed to gain public attention for its demands. Protests at the University of Vienna kicked off what became a Europe-wide solidarity wave. In Germany, the Viennese protest first triggered occupations in Heidelberg, Münster, and Potsdam, after which students at many other institutions also became involved. In most cases, the biggest or most central lecture halls were taken, and tens of thousands of students marched through the streets.
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GILLIAN ROSE’S MAGNUM OPUS was her second book, Hegel Contra Sociology (1981). Preceding this was The Melancholy Science: An Introduction to the Thought of Theodor W. Adorno (1978), a work which charted Rose’s approach to the relation of Marxism to Hegel in Hegel Contra Sociology. Alongside her monograph on Adorno, Rose published two incisively critical reviews of the reception of Adorno’s work. Rose thus established herself early on as an important interrogator of Adorno’s thought and Frankfurt School Critical Theory more generally, and of their problematic reception.
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On Thursday November 19, 2009, Platypus Review Editor-in-Chief Spencer A. Leonard discussed with author George Scialabba a new volume of essays entitled What are Intellectuals Good For? (Boston: Pressed Wafer Press, 2009). Their discussion was conducted live on “Radical Minds,” a radio show Leonard conducts weekly with co-host Greg Gabrellas on WHPK 88.5 FM in Chicago. Leonard and Scialabba’s discussion focused chiefly on a single theme of the book, the connections and disconnects between the intellectuals of the anti-Stalinist Old Left forged in America in the 1930s and the New Left that emerged decades later in the early 1960s. What follows is an edited transcript of their discussion.
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DAVID BLACK’S VALUABLE COMMENTS and further historical exposition (in Platypus Review 18, December 2009) of my review of Karl Korsch’s Marxism and Philosophy (Platypus Review 15, September 2009) have at their core an issue with Korsch’s account of the different historical phases of the question of “philosophy” for Marx and Marxism. Black questions Korsch’s differentiation of Marx’s relationship to philosophy into three distinct periods: pre-1848, circa 1848, and post-1848. But attempting to defeat Korsch’s historical account of such changes in Marx’s approaches to relating theory and practice means avoiding Korsch’s principal point. It also means defending Marx on mistaken ground. Black considers that Korsch’s periodization—his recognition of changes—opens the door to criticizing Marx for inconsistency in his relation of theory to practice. But that is not so.
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