Herb Gamberg's "Anarchism Through Bakunin: A Marxist Assesment,” Platypus Review #64 (March 2014), is not meant to be a balanced discussion of Michael Bakunin’s strengths and weaknesses, nor is it a comparison of the strengths and weaknesses of anarchism and Marxism. It is a direct, full-throated attack on anarchism, using Bakunin as his focus in the name of Marxism.
[. . .]
JAMES HEARTFIELD’S REVIEW of Ian Birchall’s biography of Tony Cliff, founder of the British Socialist Workers Party (SWP) and therefore of the International Socialist Tendency, is a curious affair. Heartfield fails his readers by declining to situate himself in the story, as a champion of the changing perspectives of the late British Revolutionary Communist Party (RCP), unique among British left groups in having evolved from Trotskyism first to a neither-left-nor-right iconoclasm and then to a pro-market libertarianism
[. . .]
Why read Georg Lukács today?[1] Especially when his most famous work, History and Class Consciousness, is so clearly an expression of its specific historical moment, the aborted world revolution of 1917–19 in which he participated, attempting to follow
[. . .]
On a May night in 2012, Sotheby’s sold a version of Edvard Munch’s The Scream for 119.9 million dollars, setting a new record for the price paid for a single work of art. Meanwhile, union art handlers, locked out in a months-long dispute over a new contract
[. . .]
Since the Nazi seizure of power eighty years ago anti-fascism has been integral to left-wing politics. The struggle against fascists and Nazis is morally self-evident, so that political anti-fascism seems to be similarly self-evident. Yet in past periods of history,
[. . .]