A panel discussion organized by the Platypus Affiliated Society, held on March 19, 2011 at Left Forum, Pace University.
Panel Abstract: This panel will focus on the aesthetic tropes that activists use to express political dissent. Theatrical gestures such as street art (e.g., glamdalism), dance parties (e.g., Funk the War), or costumes have found their way into protest tactics. Simultaneously, many contemporary artists create 'activist' or 'social' art by pulling off media pranks against the government or corporations (e.g., Yes Men), reenact past protests (e.g., Mark Tribe or Sharon Hayes) and other forms of public performances. What are the historical roots that contribute to the use of current aesthetic interventions in political protests? In what ways do they expand or limit the possibilities for protests to transform the social order? How does experimenting with aesthetic and artistic sensibilities influence our political consciousness and practice? Political thinkers and art-activists will address these questions in order to make sense of the various forms of protest today.
Chris Mansour - Parsons School of Design, Platypus Affiliated Society
Jamie Keesling - 491
Laurel Whitney - Yes Men
Marc Herbst - Journal of Aesthetics and Protest, Reclaim the Streets
Stephen Duncombe - New York University
Transcript of Chris Mansour's remarks in Platypus Review #39 (Click below):