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You are here: The Platypus Affiliated Society/Archive for tag Critical Theory
On February 17, 2017, as part of its Third European Conference, the Platypus Affiliated Society organized a panel, “The Politics of Critical Theory.” Held at the University of Vienna, the event brought together the following speakers: Chris Cutrone, President of the Platypus Affiliated Society; Martin Suchanek of Workers Power, an international organization fighting to build a Fifth International; and Haziran Zeller of Humboldt University, in Berlin. What follows is an edited transcript of their discussion.
On October 31, 2015, Jamie Keesling and Spencer A. Leonard of the Platypus Affiliated Society conducted an interview with Martin Jay, author of The Dialectical Imagination (1973), Marxism and Totality (1984), Essays from the Edge: Parerga & Paralipomena (2011), and Reason after Its Eclipse: On Late Critical Theory (2016) among others.
HORKHEIMER’S REMARKABLE ESSAY “On the sociology of class relations” (1943) is continuous with Adorno’s contemporaneous “Reflections on class theory” (1942) as well as his own “The authoritarian state” (1940/42), which similarly mark the transformation of Marx and Engels’s famous injunction in the Communist Manifesto that “history is the history of class struggles.”
LOOKING THROUGH THE REGISTER of names in the writings and letters of the circle of friends around Max Horkheimer we find only rare references to Leon Trotsky. Theodor Adorno, for instance, who claims in his Aesthetic Theory (1969) that the ambitious art has been bourgeois art, remarks approvingly that Trotsky also had said in his book...

The opening plenary of the 3rd annual Platypus Affiliated Society international convention, held at the School of the Art Institute of Chicago, on April 29, 2011.

Transcript in Platypus Review #37 (Click below):

Recently, the New Left Review published a translated conversation between the critical theorists Theodor Adorno and Max Horkheimer causing more than a few murmurs and gasps. In the course of their conversation, Adorno comments that he had always wanted to “develop a theory that remains faithful to Marx, Engels and Lenin, while keeping up with culture at its most advanced.” Adorno, it seems, was a Leninist. As surprising as this evidence might have been to some, is it not more shocking that Adorno’s politics, and the politics of Critical Theory, have remained taboo for so long? Was it really necessary to wait until Adorno and Horkheimer admitted their politics in print to understand that their primary preoccupation was with maintaining Marxism’s relation to bourgeois critical philosophy (Kant and Hegel)? This panel proposes to state the question as directly as possible and to simply ask: How did the practice and theory of Marxism, from Marx to Lenin, make possible and necessary the politics of Critical Theory?

Co-sponsored by the School of the Art Institute of Chicago Departments of Art Education, Art History, Liberal Arts, and Visual and Critical Studies, and the SAIC Student Association.

Panelists:
Chris Cutrone, Platypus (School of the Art Institute of Chicago)
Andrew Feenberg (Simon Fraser University)
Richard Westerman (University of Chicago)
Respondent: Nicholas Brown (University of Illinois at Chicago)